![[kr-eyk] thumbnail](https://f4.bcbits.com/img/0010440901_42.jpg)
1. |
Mind Is Probably
05:30
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2. |
Own The Road
01:15
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3. |
Want To, Bad
04:46
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4. |
Pier Pressure
04:41
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5. |
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6. |
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7. |
Money Counter
03:55
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8. |
Territory
04:34
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9. |
Soul
04:12
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10. |
Subway Phone
02:22
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You made my June. I'm not really sure why I love your music so much, but it's just really inspiring that you turned all of these things that happened to you into these jams and ballads. You're brave to process your life and ideas through music and put them out here. I guess many musicians are, but for some reason I didn't really think of it that way until I heard this album.
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Coming to the show a bit late here, honestly, when I saw Michelle on KEXP you-tube, I was taken away, that voice.. Diving woman is my favorite track, it has the intensity of Slowdive & the bass+drums really remind me of MetalBox & Flowers of Romance by Public Image Limited. Lyrically,I love the concepts and the warmth of sentiment, some searing truths written in an accessibility, its giving me a doorway to understanding her generation.
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This is such a head bop. I can't get enough of the old style of Car Seat Headrest, so to see the greatest hits of classic CSH be remastered before they move onto their amazing new stuff is unbelievably perfect. I love how it keeps the crunchy, lo-fi sound of the originals, but still sounds new as hell; I can't get enough of the sound of this album. The only thing that'd make this album better would be to put a remastered version of Souls on here. (Also the new, original song on here is dope too)
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In the aftermath of the 2014 breakup of his much-loved Smith Westerns band, Omori readies a slick debut solo LP for the mighty Sub Pop.
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Even though they sing about injustice and being generally fed up with the male species, Camp Cope play like they’re having the time of their lives.
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